Nibbling At the Mushroom

In which Travis heads to a party all by his lonesome.

The weather’s cleared up by the afternoon of the big party at Elm Hollow, shifting to pleasantly warm and dry. What is left of the clouds, pile up nicely in the sunlight. And from the looks of the arrangements when he arrives, the occasion is also going to be everything promised. The apartments are set into a hill, laced with concrete stairs that wander down together to a large parking lot that has been vacated of cars and roped off. On every landing of the stairs sits two or three unopened kegs, while opposite this life-size scene from Donkey Kong, a kind of stage had been built from two flatbed trailers. Travis smiles. Some people have hauled old love seats and couches out into the yards and flat part of the small valley. The scenery speaks of no simple party, but of a private concert—which meant a wild one. From the look of it, there was already a hundred people.

Travis parks Mary Jane at the top of the hill near a restraining wall where it looks like she will be out of the way, but within view. He gets off and makes his way down the hill, where he is greeted by two guys who charge him five dollars in exchange for a plastic bracelet. They don’t check his ID. Properly tagged, Travis pours himself a beer from one of the open kegs at the top of the stairs. He sits himself down on the grassy hill to the side, in the sun. After a while, an unmarked, piece of crap van is allowed past the rope, the band, no doubt. Two guys get out long hair flowing, flannel shirts ripped, and Travis recognizes them: the guitarist and bassist of Half Gray, Robert and Jay. He had opened for them once on short notice at the Georgia Theater. That had been the biggest crowd he’d ever played in front of, and after listening to his voice pour out into the openess, and not close set comforting walls, he had decided it would be the biggest crowd he would ever play to. He thinks about the Rock Star, and he just wants to play, not turn into a machine. Travis wants to see his music in his listeners’ eyes, see it in their faces; in fact, he doesn’t want listeners. He wants to meet each of them. He wants friends—wants love.

He decides to wait to say hello so as not to get recruited into unloading gear. Stretching out on the hill, he relaxes and watches clouds, letting the air of anticipation linger. It is his favorite time, the next—the time before the Thing—whatever it is—that’s going to happen. It is the moment before walking out on stage. It is the moment before he strums. It is the moment before the kiss. It is the threat to time—the infinite present. He is never nervous when he senses something afoot, the reversal of the equilibrium, the change in the tide—he’s ecstatic—the next is everything—because once the change comes, it will be over.

Don’t Move. It matters.

In which Melissa tells Travis that she will find him… just later.

They walk for a block or so, smelling the breeze and being warm in the sun.

“What then?” Melissa asks curiously.

“What then what?”

“What are you doing at the end of the month?”

“Moving.”

“Moving!?”

“Yeah.”

“Where!?”

“‘Cross town,” Travis waves his hand in the general direction of Karen’s house.

“Oh.” Melissa breathes a sigh of relief. “I thought you meant you were moving away.”

I’ll manage better this time

In which Travis and Melissa walk downtown.

It is a good August Saturday to walk downtown. There is a cool breeze coming up and over the hill, and even though it is somewhat cloudy, with long white rolls laid out against the sky, the sun still heats everything. Travis’s legs feel warm in his jeans. He vows to get out of the apartment and lay out by the swimming pool next week. His apartment complex had two, and he’d never occasioned either. Then he wants to ask her to join him, but holds off. Melissa seems content to smile and not say much. Travis lets it alone at that.

A Ghost of Lennon Near Central Park

In which Gene is assaulted by a strange little thought and rectifies his reality.

A thought insinuates itself in Gene’s brain while he walks up West Central Park. The dark, bare branches of the trees shiver and it is cold out and the cold is insistent, if not outright rude. It barges into his coat and hat and gloves. And into his eyes. They tear up as he makes his way past the spot where John Lennon died outside of the Dakota. He’s not crying (just cold). It would be surprising to cry—though not impossible—since he’s walked past that spot a hundred times. As he wipes crisp clear tears away, a new thought pounces him—intrudes on his Tao like a wool sweater. It announces itself: You are the ghost of John Lennon!

He laughs. I’m dressed like John Lennnon, you say? he thinks to the thought.

Yes, it replies. Look at the clothes you are wearing: a pea coat, a dark hat, spall spectacles, bell bottoms, black shoes. Should I go on?

Oh, indeed. Do go on.

Examine your sideburns. And “sideburns” in his head sounds like the weapon that shuts the case.

I see.

He does indeed see as he makes his way across the road and down the hill into Central Park. He shake’s his thought’s hand an lets it travel onward into silent impermanence. At any rate, he was certainly the same stuff as John Lennon and that thought was polite and so he allows it to linger. Once he sat in a subway station for two hours and just watched people going by.

Every day of the year his meandering brings him by the Dakota, though. And every day, every time of day of the year, there is a photographer, taking pictures of the spot where the man died. And no one photographs Gene. So that’s the way it goes.

Now is the Moment

In which Gene decides to seize the night.

At least one old memento he couldn’t shake on departure was his old, old, Jinx skateboard. Looking at it on one of those days dedicated to packing, he couldn’t bare the thought of maybe never skateboarding again. Oh, he’d never be any good, but coasting in the thin Fall air; casually, carefree, maybe with his hands in his pockets—it was too much to let go of though he could not foresee a time or opportunity.

Now, seated in his armchair beneath the orb of yellow from his lamps, the space beyond called him. Here was the moment, the opportunity. Tinted indigo by the lights from the city, the darkness was no negative space, unfortunate for boundaries, but a place to play, a space to go.

A Flirtation With Breakfast

In which Travis and Melissa see things as much brighter in the morning light.

When he comes back Melissa has changed into a pair of his jeans and gone to the bathroom to repair her hair. Her face has lost the black smear of eyeliner and tears, and she looks cheerful and awake now. She looks up at him amused, her Pacific blue eyes even more shocking now, “I hope you don’t mind. I really don’t want to walk home in a dress.”

“No sweat.”

“You know your room is much more… interesting in the daylight.”

Travis peers over his shoulder. “The wall?”

She walks down the length of the mural, “This is impressive.”

Travis is still standing with a plate of eggs and a glass of orange juice, “You have to split it with me.”

She hesitates and then steps over to him and looks at the plate. “You’re very sweet.” Then she says, “But I’m not hungry.”

I Only Wish It Was

In which Melissa discovers Absinthe’s one and only “talent.”

When he wakes up, Travis is covered with the comforter. He’s still in his jeans and t-shirt, and sees Melissa across from him in the bed, also sleeping in one of his t-shirts. Travis puts his head up on his hand to watch her. Her layered black hair is still smooth and shiny, and the look of contentment on her face lifts him up. As he moves to pull the covers up over her shoulder, she opens one eye slightly and then she grins.

He says, “Good morning.”

“Nooo.” She snuggles down into the covers and pulls them over her head. “Go away.”

Travis puts his arm under the pillow and lays his head back down.

Peeking out from beneath the covers, Melissa giggles. “I woke up at about four this morning and was halfway tempted to leave, but I didn’t know where the hell I was.”

Travis makes a face. “You were gonna’ ditch me?”

Melissa nods fecitiously, the comforter wrapped around her like a shawl. Then she smiles more sweetly and says, “I’m not used to just going home with complete strangers.”

Laced Like Ivy Vines

In which Travis and Melissa comfort each other in the night and the morning.

Melissa and Travis sleep together that night, huddled in the darkness of Travis’s bedroom, clothed. Laced together like ivy vines, they breathe and stare into the dark. In the morning, laying on his back, Travis cradles Melissa’s head on his chest. He tries to breathe in unison with her, taking in a breath and letting it out as she does, but he can’t keep up. Not long after that, he drifts off as well again.

The Outcome

In which Travis shocked to see the final product.

Buddhist Means Are Tough

In which Gene has packed everything and still has too much.

What he had brought with him had been a significant decision. Gene had moved a lot (almost every year) and this time he had decided that it would be no more than necessary; not mementos that he was lightly attached to; not old things; not clothes he hoped would one day fit again; nor paperwork that was ten years old. Here in his new life as a graduate student, he would take only that which was necessary and maybe that which had contributed to his arrival.