Excellent Birds

In which Travis finds an old collection of vinyl records and decides to become a luddite (with regard to music playing technology anyway).

Travis picks up the album, a black and white picture of a stoic man, an almost sad man, flanked by the word “So,” from out of the collection. He hadn’t seen a vinyl album album in a while and seeing one again sends him somewhere—a place in his mind where the music was warmer and the reason for making it purer. But a strange thing… on reviewing the song titles, he recognizes them all but the last.

The Narrator

In which Travis discovers that there is no narrator.

Travis had not encountered the book before, did not recognize it, which is why he picks it up off the shelf. More perplexing still is the fact that it is written in Spanish. He feels pretty sure that means the book belongs to Ian (who had spent a year in Spain and was the only person Travis knew that was fluent).

Yackyacks

In which Absinthe checks on his territory.

Having completed the morning gratitude song, Absinthe makes his way into the room-with-lots-of-light. Sometimes there is warm light coming in to the room and it makes a nice spot to lay down in, but today there is no sunlight. One of the yackyacks that lives in his territory is sitting and watching the light box.

What was that! Something in the light box comes out of the corner and tries to hide. But he has seen it and he jumps up to the light box and attacks it. He watches carefully for a moment and it would seem that he has scared the creature away. Then, one of the yackyacks picks him up and makes noises and thanks him for scaring the creature in the light box away by rubbing his belly. That feels good. But then, after a minute, there is just too much thanking going on! Absinthe jumps down off the yackyack.

Son of The Tree that Owns Itself

In which a very old character (the second oldest in Troped) is introduced.

Finley street is an odd little road. It’s small and paved with cobblestone, not tar. From Broad street, a cobblestone drive runs up an incredibly steep hill (more than a few cars have not overcome the struggle). But more odd still is that at the top of the hill, Finley makes a strange C shape as it curves around a massive white oak. This is the Son of the Tree that Owns Itself. The original tree was protected by Colonel W. H. Jackson, who wrote of it in his will: “For and in consideration of the great love I bear this tree and the great desire I have for its protection for all time, I convey entire possession of itself and the land within eight feet of it on all sides.” It fell in 1942, but it’s acorns were used to plant the majestic tree that is still there today.

Then It Wasn’t Very Civil of You to Offer it

In which Travis makes the mistake of offering to pay his friends to drink with him.

“Poor guy,” Travis says, patting the kitten lightly on the head. Looking at Nick he says, “This is the most spoiled cat on the planet, man.”

“Except for when John scares the bejesus out of it,” Nick remarks. “Or when you put him in paper bags.”

“What? He likes the bags, man.”

“Not when they’re stapled shut.”

Ian laughs and looks to Travis.

“It’s funny as hell. He totally loses it. I’ve never seen a cat go so berserk.”

“That’s mean,” Ian argues.

“Nah. I treated my little sister the same way—makes ‘em tough.”

They Ain’t No Roaches In Heaven, Good Man

In which a showdown ends badly for both participants.

Staring at the roach, its little legs squirming between the Diablo’s thick, dirty thumb and forefinger, the Bug Man’s eyes widen. The thin, hairy roach legs wave aimlessly and reach out for his face, as the exterminator’s good eye quivers, shaking with a paralyzing mixture of fear and anger. The ice cream cone drops from the bug mans hand as his arms go slack, and it falls, turning over and over, slowly until the thick white ball smashes into the floor, dispersing like an asteroid. Looking down, the bug man examines the wreckage of his tasty, frozen treat. He licks his thick lips once and frowns. Still staring at it, he speaks slowly, the tension mounting in his voice, “You made me drop my. Ice. Cream. Cone”

El Diablo

In which our heroes encounter el Diablo.

Travis and the bug man approach the counter, where a Dairy Queen associate stands fussing with her beehive hair-do. “I’ll have a single, vanilla ice cream cone, and whatever me ameego here wants.”

“Just a cup of coffee,” Travis says sleepily.

“Jes a cup a coffee? I’m buyin, Chief. You can have whatever you desire,” M says, waving his hands in a long arc beneath the brightly colored menu, his wandering eye revealing the sparkle of a genie, his secret kept safely tucked away somewhere in his spray canisters.

“Yeah. I just want a cup of coffee.”

The bug man turns to the waitress. “He’ll have one cup of coffee.”

“I guess I heard him,” the waitress replies to the bug man who, completely ignoring the waitress, just whistles along with the mariachi band, rapping his fingers on the counter.

Turning to Travis, he smiles, “We have a lot of fun when we hang out, don’t we?”

Two Shining Silver Cannisters

In which Travis and the Bug Man retrieve some important weapons in the battle against tiny denizens.

“Found ’em!” hollers a voice from the garage. Wayne comes back out from the shadows carrying a light colored leather belt with two round holsters—in them, nestled carefully, are two shining silver cannisters. As Wayne gets to them he holds them up to the sun which glints off the majestic chrome as somewhere in the distance a hawk calls. Travis looks around at the sky.

“These’ll keep ma pants up real good,” says M.

“You know this place you got,” Travis says to Wayne, “I’m thinkin’, well ya know, I know some people and—you know the old gas pumps, the cars—Night club.” Travis spreads his hands out in front of them to show them the bright lights. “That’s the way I would rock it, Wayne.”

“Ya think?”

“Oh yeah. Hot commodity. Hot. I know people.”

“Well shit.” Wayne says and scratches his head. “Ya think it’d have karyoke?”

“Wayne—baby. I’m talking kayroke, lip synching, mouthing words to songs without knowing the lyrics, the works. Air guitar. Crazy shit.”

Suppose We Change the Subject

In which Ian is almost eaten by the Flod but is rescued by Travis and Nick (though Nick is not much help).

Nick and Travis stand up against the windows in the Living Room as if avoiding a sniper’s line of fire. The blinds are drawn, and they peer out between the plastic slats, watching the parking lot intensely.

“Oh my God,” Nick says. “She’s gonna’ get him.”

“Shit. Poor Ian.”

“I told you we should have warned him.”

“I hadn’t seen’er in a while,” Travis says innocently. “You’d don’t think I’d intentionally do this, do you?”

Nick just shakes his head. “You’d be damn cruel if you did.”

A Montego Hera

In which the Montego gets her soul.

“So, we’ll meet back at our place?” Travis asks Ian outside of the Bluebird Café.

“Yeah. You get the goods and I’ll get the movie,” Ian replies, moving on down the sidewalk. Nick and Travis walk around the corner of Clayton and down North Thomas Street to one of the city parking lots on Washington. Entering the lot, they make their way over to a twenty-year-old, faded lime-green Ford Montego. With a loving pat on the roof, Nick gets in and leans over across the long, plush velvet front seat and unlocks the door for Travis. Even though he is six-foot-five, it is still a stretch for Nick to reach the passenger door, the cabin’s width being what it was.

Travis gets in as Nick starts the car. The engine comes to life and Nick pats the dashboard sweetly. “That’s it, baby,” he says as he revs the engine a couple of times. Bouncing in his seat a little, Travis smiles at Nick. “I haven’t ridden in Her Majesty in a while,” he says as Nick pulls out of the parking spot and heads toward the nearest convenience store. <br/><br/> Many years ago, Nick had been the recipient of this incredible automobile inheritance. His parents bestowed upon him ownership of the majestic Montego, a massive and powerful machine. A relic and an ark, a rambling tank, a lime-o-sine, a gashog behemoth. So many words can be found to describe such a vehicle, for it was the only one of its kind and uniqueness assists vocabulary.

For a long time, the car was a burden on Nick. It was old and crotchety and sometimes gave trouble when unwanted, before tests or dates. It was pale in comparison to some of the newer, prettier cars that Nick’s schoolmates got to drive. He drove the Montego reluctantly, cursing every click, every jolt, dealing with the innards only when forced. And for the Montego, this was nothing new. At twenty-years of age, ancient by any standard of the automobile industry, it had seen enough and been driven enough that driving down that last tunnel to the great country road in the sky didn’t seem too terrible a fate.

Then, something happened. As strange as opposites that attract, as peculiar as romance that blooms from detest, Nick found himself driving the Montego with delight. It settled on him, in him, and him in it. He discovered the beauty of the faded color and rust spots, discovered practicality in the size of the backseat with a girlfriend, and knew there was power inherent in watching the gas gauge drop when the accelerator pedal hit the floor, and the V8 roared.

On its twenty-first birthday, Travis and Nick poured a beer on its hood, and the Montego had found new love. As the kiss of the hops washed over its metallic belly, it felt the liquid soak her insides with new life and vigor. And as love sometimes does, Nick’s concern for the vehicle seemed to reverse time’s effects. The Montego grew younger. It pepped up, thinned up, became more solid then it had ever been. Though rusted in spots, its steel hunkered down. It went from car to the revered status of treasure; from junk to antique. It found it had meaning, instead of just function; that it had shed its object nature and could take part in conversation. The Montego found that what had once been a generic model title was now a namesake, and that the word it no longer suited her.

“Twenty-one years and the transmission’s never been touched. How ’bout that!” Nick would declare to new riders, leaning proudly on the hood.

Even those who could not understand the transcendence of Thing to Soul came to know that Nick’s love for the Montego was something to be jealous of. It was a feeling not meant for the hundreds of thousands of mass-produced vehicles infecting the road, void of individualism. It was a feeling for the particular, for the singular, the unique. So, Nick brought the Montego with him to college without question. He embraced her fully and made her one of the first relics of his new life. She was to be with him everywhere he chose to ramble. She became the chariot of the Gods of the Ridiculous, a masterful stroke in this pointless epic tale. She was the Hera to the Thunderchicken’s Zeus. Most important of all, though—she was aware.  One day, just before June, Nick had been considering the possibility of acquiring a new car—not a mistake in itself. The Montego was old, her days were numbered, that much could be granted. But one does not discuss coffin sizes in front of their mother. The mistake Nick made was to discuss the matter with Travis while driving the Montego, and she didn’t take kindly to it. When Nick and Travis arrived home and went inside, they found John and Ian watching television and began discussing the details of the night’s plans—only Nick couldn’t pay too much attention. A buzzing was ringing in his ear that left him feeling disoriented. Finally, the nagging tone forced him to check reality and ask, “Does anyone else hear that?”

The group quietly listened and agreed that a sound of some kind was emanating from outside the apartment. And when the group listened more closely they all realized that it was the sound of a car horn. Nick went to the door to see what kind of wreck or tragedy was producing the voluminous whine. When he opened the door, he looked out across the rows of cars, and gradually his hearing honed in on the sound, and centered on the Montego. “I’ll be right back,” he’d said to the gang, and began walking toward her. As he approached, and the dismal sound grew louder, a wave of worry washed over his stomach. Something was wrong. Was it trivial or was the horn merely an indicator of something more serious, something fatal even? The horn, blasting out into the parking lot, resounding off apartment building walls, resembled more that of a lone howling wolf. It was not the tone of a scream, an irritated bark in a traffic jam after being cut-off. It was sad. She was crying.

The boy’s came to the door of 3D to see what the matter was. Neighbors stood by their windows to seek out what was disturbing the quiet afternoon, and all eyes watched as Nick placed his hand upon the door handle, and the howling ceased—instantly vanished.  It was then that Nick realized his mistake, and he sat in the plush, velvet interior and hugged the steering wheel with a sincere apology and recognized that age is a simple matter of unavoidable consequence. No one asks to grow old and fall apart. Rationalizing death by talking about deficiencies is not encouraging to souls affected by time against their will. Travis turned to John and Ian and smiled. “Let’s give them some privacy,” he said, walking in and shutting the door behind them.

She lingered, she waited, she drove, and she loved the boys. And if she couldn’t sit with them in their midnight reveries, prattle with them philosophically in coffeehouses, or joke mischievously in bars, she could take them there and make sure they got home. And she did it with grace.